In the pre ABA era, Himesh had a typical trait of asking his singers to twist their tongues whilst pronouncing certain albhabets in a stylish way, most notably the R.

> RRR (rolling of R) EEE at 0.22 & 0.25 in OOH LA LA RE from TAARZAN - THE WONDER CAR.

> MI-RRR (rolling of R) CHIII at 1.31, 1.33 & 1.35 in MOHABBAT HAI MIRCHI from CHURA LIYA HAI TUMNE.

> TE-RRR (rolling of R) EE at 3.15, 3.19, 5.09 & 5.18,  CHU-RRR (rolling of R)-AANE at 3.06 & 3.11, ME-RRR (rolling of R) EE at 4.26, TAA-RRR (rolling of R) EEFE at 4.28 in TERE SANG EK SIMPLE SI COFFEE from ZAMEEN.

> KA-RRR (rolling of R)-BA-RRR (rolling of R) REE from 1.47 to 1.48 & 1.50 to 1.51, BE-RRR (rolling of R) IYAA from 2.48 to 2.58 & 4.18 to 4.28 in MERE NAAL from ZAMEEN.

> EEYA-RRR (rolling of R) EE at 5.18, 5.23 & 5.28 in SANGDIL SANAM from TUM - A DANGEROUS OBSESSION.

> JIYA R (rolling of R) EE from 4.18 to 4.35 in SONI RE from ANJAANE - THE UNKNOWN.

> K-HHH (rolling of H) IIIII at 1.17 & 1.20 in KI KARA MEIN KI KARA from NIGEHBAAN - THE 3RD EYE.

> P-YAAR (rolling of Y and R) at 1.57 & 2.01 in DILLI KI SARDI from ZAMEEN

Another typical unique vocal touch by Himesh - the pre ABA composer!