At times, Himesh has used off-da-hook fulltu or halke se feel kick female croons in da vocals of either Sunithi Chauhan or Suzanne D' Mello.

> Suzanne's gradual voice rise that gives halke se feel kick from 0.24 to 0.27 followed by prolonged fulltu high-pitched croons that strike a chord from 0.28 to 0.31 in AAKHIYON SE GAL KAR GAYI from SHAADI SE PEHLE.

> Off-da-hook halke se female voice rise from 1.24 to 1.25 in TERA TASAVUR from TERA MERA DIL.

> Suzanne's gradual voice rise that gives halke se feel kick from 3.28 to 3.32 in DIL ME JO BAAT HAI from RUN.

> Sunithi's fulltu high-pitched croons that strike a chord from 0.10 to 0.13 & 4.19 to 4.22 in MUNDEYA from SHAADI SE PEHLE.

> Suzanne's fulltu high-pitched croons from 3.41 to 3.44 in BELIBAAS from SILSILAY.

> Suzanne's fulltu high-pitched croons ONLY YOU from 0.31 to 0.33 & 2.04 to 2.06 in TERA TASAVUR from TERA MERA DIL.

> Sunithi's fulltu high-pitched whole hearted croon from 0.09 to 0.14 in LAGI LAGI from AKSAR.

> Sunithi's fulltu high-pitched whole hearted croon SONIYE from 4.17 to 4.26 in SONIYE from AKSAR.

> Fulltu high-pitched female chorus that strike a chord from 0.05 to 0.12 & 2.02 to 2.06 in AAP KA AANA from KURUKSHETRA.

> Fulltu high-pitched female vocal alaap from 2.18 to 2.21 in TUNE MERA CHAIN VAIN from ANTHONY KAUN HAI.

> Whole hearted female croon from 0.04 to 0.08 in AFREEN TERA CHEHRA from RED - THE DARK SIDE.

> Jaspinder Narula's off-da-hook fulltu high pitched prolonged desperation plea alaap from 5.37 in MEETHI MEETHI BAATAN from AAP KI KHATIR.